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Notre Dame de l'Assomption Church The church of our Blessed Virgin Assumption Contents Some words on its construction, Enlargement of the XVIth century, Enlargement of the XVIIth century, Some modifications of details, Congregation chapel, Organs, restaurations , The choir
Some words on its construction In 972, Guillaume 1st, Count of Arles helped by his vassals obtains the departure of the Saracens which were entrenched in Fraxinatum in the heart of the Maures (mountain south of France). Called Guillaume 1st " The Liberator ", he proclaims himself " Marquis of Provence ". He shares his lands between the main Provencal families. The judge Renard who assists him in its pleadings, receives two "alleux" of which one in oriental Provence where is the castrum of Paracol and its domain, with, in the plain, some houses around a lordly house and a church dated the end of the Xth century. A town still not wearing the name of "Le Val". The family of Châteaurenard is going to give its possessions to the "Saint Pierre de Montmajour les Arles" Benedictine abbey. The genealogy of the Châteaurenard family and the charters of the donations, throughout the XIth century, are perfectly known. In the castrum a preRomanic high chapel can be dated at the very beginning of the Xth century. A low chapel of pure Romanic style was built by 1010 by the Châteaurenard family there. In the plain, the church will collapse at the beginning of the XIth century. Dalde of Châteaurenard, Saint Laurent of Avignon's abbess , will make it reconstruct and consecrate in 1068. The act of consecration mentions that it is dedicated to " St. Marie de la Vallée, Saint Jean Baptist, Saint Sidoine and Saint Etienne ". This act mention it as " near Aix under the castle of Paracol " and indicates that it is about a reconstruction, " réhédificavit " says the text. Click photos to have an increase of it. Such was the medieval church. It is going to undergo two enlargements, one in the XVIth, the other one in the XVIIth century, the population having become more numerous.
Enlargement of the XVIth century.
Enlargement of the XVIIth century. In 1613, in the North of the choir, a new sacristy which will open directly on this last one is built. It is nowadays still used. The sacristy of 1512 will become a new entrance of the church having opened a door of full round arch looking onto the nearby place.
Some modifications of details. In the choir, the central stained glass will be created and both lateral openings enlarged and decorated with stained glasses representing Saint Cyriaque and Saint Blaise bosses of the parish. The walls of the choir will receive paintings, Annunciation and Visitation, which will succeed the vault N-D of the Assumption become illegible in time. Paintings of the XVIth, XVIIth and XVIIIth century already decorated the lateral chapels. In the XIXth and in the XXth century, statues, donations of the believers, were placed on the side altars and against columns painted in false wood as the walls.
Although having counted up to fifteen chapels, the territory of Le Val conjugated for a long time the spirituality to the only male mode. It was necessary to wait for the second part of XIX ° century to see finally being built, in appendix of the church, the Chapel of the Congregations which became the religious official seat of the girls " Children of Marie " and " Mothers of saint-Anne ". We still ignore the name of the painter which assured the internal decoration, but it is typical of the time of Napoleon III, mixture of classic Louis XIV and regency, mixed of Viollet-Le-Duc. Of the style very typified by this last one, we notably find the false curtains painted on walls. Other curiosity than theologians recovered with the smile: the strange naivety of the full of imagery translation of the litany of the Virgo. Where, for example, the seat of the wisdom becomes a good armchair, and the mirror of the justice a true mirror.
Some details:
It is in the XXth century when the current stone floor will replace the big stony paving stones of origin.
In 1989 we removed all the objects accumulated in the monument for centuries: statues were grouped together in a chapel, the pulpitwas put down, paintings and a confessional were kept. In the big nave we put back visible stones, we resumed "formerets" bows. The lateral chapels were cleared of their forged iron barriers, their walls, as well as those of the shoulders were casted again and whitened. We restored the paintings of the choir wall and we created on the vault " a coronation of the Virgo ". An indirect lighting highlighted the architecture of the XIIth century and the paintings.
By investigating photos below, you will obtain, by clicking certain details, an increase of frescoes.
If it was not possible to recreate the medieval church, at least it is possible to imagine the monument of the XIIth century and to appreciate its simplicity, its sobriety, its quite monastic austerity wanted by his founder Balde of Chateaurenard.
Study from the book: " Le Val, un village de Provence à travers les siècles" éditions Sacour-Ollé, Nîmes Henri Authosserre
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